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    Notifixious

    Meet the Monaghan lass with 345,000 Twitter followers

    Thought you knew Ireland's most followed Twitter account? No, it's not Dara O'Briain (289,000 followers) or The Script (216,000 followers) or Jedward (150,000 followers). It's not even Cormac Moylan (see below on this blog).

    In fact, it's Monaghan-based Sinead Duffy.

    Sinead Duffy - Profile Shot

    Wait a minute -- Sinead who?

    Sinead Duffy is a lifecoach (with her own company, Great Minds) who has set up the mother of all Twitter accounts. Called Greatest Quotes, it's an auto-tweeting feed of... greatest quotes. Astonishingly, Greatest Quotes is growing by 10,000 followers per week. That's almost as much as Ashton Kutcher.

    Ah, you think -- that's a bit of a swizz. Sure, just set up a few RSS feeds and let it take off; that's not a real account.

    Think again. Because of this account, Duffy is getting business online. And it's cash upfront. "I coach select overseas clients via Skype and charge through Paypal," she tells me. "It's mostly through Twitter that potential clients find me."

    Who's laughing now?

    Here's a Q&A I did with Duffy on the account, her business and her plans.

    How long have you been tweeting?
    I've tweeted since April 2009. Initially I used Twitter to increase traffic to my website, gain profile, generate awareness about my business and ultimately increase sales. Since then I've grown an extensive mailing list, changed how I do business and generated several revenue streams.  

    What kind of growth have you seen along the way? As in, how many new followers do you get a month?
    Presently, my following is increasing by almost 50,000 new followers per month. This compares to approximately 1,500 new followers per month this time last year. I project that this account will grow to a million followers this year.

    Do you have any idea what percentage of your account's following is Irish? Would it even be 10%?
    Less than 10% of my followers are Irish.

    Why do you think your account has garnered so many follwers?
    Greatest Quotes is successful for many reasons. For a start, followers get exactly what they expect. That means quotes and not social interaction, retweets or aggressive marketing. I carefully select quotes that I feel will resonate with people.  The feedback that I receive clearly indicates that they do. The carefully selected quotes are regular, short, concise and resonate with followers. There is no hard sell and bogus marketing like many Twitter accounts.

    How much time do you have to spend on this Twitter account every day?
    I invested a great deal of time at the outset selecting material, scheduling times and managing time lines. Now the account is automatically managed.  I spend one day per month maintaining this. I also reply to all direct messages once per week and follow up on emails, opportunities, bookings, meetings, negotiations and so on.

    Do companies ever approach you to try and get you to tweet about stuff? If so, have you ever done them the favour?
    Yes, I am constantly being approached by business owners and network marketers with business opportunities. Business-owners who know and understand Twitter realise that having 330,000 followers is like having a shop window where 330,000 people pass by on a regular basis. It is important to maintain the trust of followers so the introduction of third party products on the site must be carefully evaluated.

    Does your large Twitter following translate into good business? If so, much? Have you won any significant business because of it?
    My Twitter presence has opened up lots of opportunities for me. I have huge traffic spending to my website each week and people contacting me with requests. It's mostly through Twitter that potential clients find me. I coach select overseas clients via Skype and charge through Paypal.

    What's next for you, business-wise?
    I am currently working on developing interactive software to sell online. The Twitter following provides a ready made target audience to market that software. Translating the following into a constant revenue stream is a challenge, but once perfected, the possibilities to earn substantial revenues are very real. We are no longer limited by location, currencies or time differences.

     

    January 18, 2011 in Media advice, Miscellaneous, Twitter | Permalink | Comments (2) | TrackBack (0)

    An A-Z of social media jargon

    Think you have what it takes to be a social media player? If not, here are a few terms (alphabetically arranged) that will get you going. (Thanks to folks on Twitter who threw in a few suggestions.)

    Centric: anything can be '-centric.' Go ahead, try it. You're in sales? That's great, you're now customer-centric. Call Liveline much? That'll make you media-centric. Use Facebook a few times each week? Wow, you're a web-centric kind of guy (or gal).

    Cloud: nothing is outside the cloud. If you're a taximan with an email address, don't worry: your business is 'in the cloud'. And there's no way it's all going to end with SkyNet.

    Conversation: Twitter isn't a micro-blogging service or a chat forum. It's a 'Conversation' (the capital 'C' is important). If you have a point to make, you don't sign in and start spouting way. You 'join the Conversation'. With a latte.

    Curation: if you don't have much to say yourself, don't worry: copy and paste what others are saying. This is a new, valuable service all on its own called 'curation'. It's easy to do (but is highly skillful also, got that?).

    Engagement: instead of answering, replying, emailing or talking to someone, 'engage' with them. If you think that's splitting hairs, you're just not a true social media pro.

    Facebooking: Americans have taught us that there is no noun on earth that cannot be verbisised.

    Friending: like Facebooking, friending is now widespread. Definitely not to be confused with mating, though.

    FTW: the term 'for the win' or 'FTW' may sound like someone made it up as a meme (cf below) to see how far it would travel. But it is a sign of true Twitter authenticity. To be used at least once every 15 tweets.

    Killer: remember when 'cool' was the corporate adverb of choice? Well that's no longer cool. Last year, an official handover ceremony took place. Killer is now the killer term.

    Like: "I liked that store." No, that doesn't mean that I appreciated it, it means that I clicked the thumbs-up symbol on that store's Facebook page.

    Meme: US political pundits used to create (and slavishly follow) conversation 'memes', or talking points. For us in social media world, it's the amusing joke (or trend) du jour. Often accompanied with a picture. Or a hashtag (on Twitter).

    Organic: you may have thought organic was a little mass-produced at this point. Although not as killer (cf above) a term as before, organic still has solid roots in our social media lingo.

    Pivot: what used to be a technical financial term is now coming at us, full-on. The pivot of this sentence just occurred eight words ago.

    Simple: "Okay guys, we're not looking for layered here, we're looking for Simple." (I have cyanide pills, if anyone wants any.)

    Smart: according to surveys, the word 'smart' was used 19,780 times by government ministers in 2010. And that was just in the week before Christmas. Smart can now unashamedly be used to describe anything (at all) that has even the whiff of an internet link to it.

    Solutions: an oldie but a goodie. Die-hard users (men in their late 40s and 50s) are keeping this one alive as their 'cyberspace offerings' migrate onto 'their Facebook'.

    Social: whatever it is you produce or offer, it is nothing -- NOTHING -- if it does not have a 'social' element to it. Forget about old-fashioned concepts such as profitability, company yields and such nonsense. If you can get an unemployed web designer to 'like' (cf above) your page (or better still, become a 'fan'), that's the only thing that matters.

    The Gen: farewell, 'what's the story?' and 'what's the scoop?'. Hello, 'what's the gen?'.

    By the way, you score extra points if you can string a few terms together. Go ahead, try it: cloud-centric curation. Organic friending solutions. Smart social engagement. Just remember to keep a straight face: you could secure €1.2 million in seed funding from some mug.

    Got any more suggestions?

    January 12, 2011 in Media advice, Miscellaneous | Permalink | Comments (4) | TrackBack (0)

    10 must-read Twitter rules for Irish politicians

    Over the past week, Twitter has emerged as a serious political tool in Ireland.

    But, for the most part, Irish politicians using Twitter employ it as a bland diary record. Worse still, they don't actually post themselves, leaving it to an assistant (which becomes completely transparent).

    One British Labour MP, Tom Harris, takes a different approach. He uses Twitter (and his blog) properly. And he has come up with 10 rules for politicians who want to use Twitter credibly. They should be nailed to the wall of every political PR office in Ireland. Here they are.

    1. Don’t just broadcast – engage. Politicians who use social media to let everyone know what they think but who don’t even respond to others’ views are doing themselves no favours.

    2. Do it yourself. I cannot emphasise this strongly enough: if you have a Twitter account, never let anyone else Tweet on your behalf. Without authenticity, your Twittering is valueless (at least, that’s what I told Tom yesterday when I offered to write this for him…).

    3. Don’t Tweet and drink. Should be self-evident, but you’d be surprised how many are tempted. If you’re out for a drink, don’t even check your Twitter account for updates, lest ye be tempted to reply, however entertaining the results would be for the rest of us, and for the media (see numbers 9 and 10).

    4. Argue by all means, but avoid being offensive. Respond with a pithy or sarcastic comment if you’re provoked, but be more measured than your critics.

    5. Avoid giving your diary details – nothing to do with security, it’s just dull. “Just had a very productive meeting with a really worthy organisation” might be of interest to members of that worthy organisation and to both of the constituents who follow your Twitter feed, but not to the rest of us. Also, avoid inane greetings and sign-offs: “Morning Tweeps!” No-one cares. Really, they don’t.

    6. Don’t split your message over more than one Tweet. This is simply bad Twitter etiquette. The value of Twitter is in the discipline required to say what you want to say in 140 characters or fewer. If you want to write an essay, use a blog.

    7. Tempting though it is to insist on getting the last word in a Twitter exchange, it’s often more gracious to leave that to your critics.

    8. Don’t block followers. There are some real morons out there who get off on sending abusive Tweets, particularly to politicians. They wear the “blocked by an MP” badge with pride. Far better to ignore them completely. Believe me, that will annoy them far more than blocking them will.

    9. Always assume that whatever you Tweet will be read by the news editor of the Daily Mail. Because that assumption will be correct. Speak your Tweets out loud, preferably to a third party, before you post. If you have any doubts about whether it will be misinterpreted, then err on the side of caution.

    10. If you wake to find an army of reporters, photographers and camera crews outside your home, it could be a sign that you need to rethink your new media strategy.

    February 23, 2010 in Media advice | Permalink | Comments (4) | TrackBack (0)

    A style guide for those pitching articles to the SBP

    As editor of Computers In Business, I'm often pitched articles from company heads, consultants and freelancers.

    Sometimes, the topic is relevant. Sometimes it isn't. But whoever is writing the article can give themselves an instant boost by knowing and following the 'style' rules that we have. (A newspaper's 'style guide' is the particular collection of rules that it employs in the way it presents its articles. For example, whereas the Irish Times gives men a title ('Mr'), the Sunday Business Post does not.)

    So for anyone thinking of pitching a piece to Computers In Business, here are a few simple style rules to follow.

    1. Keep sentences short
    No sentence should be more than 25 words long, save in exceptional circumstances. Or in cases of a completely necessary quotation that cannot be truncated. Sentences over 25 words are unwieldy and difficult to read. As such, they are liable to be cut from the piece.

    2. Banned phrases
    There are many ‘descriptive’ or ‘prosaic’ terms that are unsuitable to certain business articles. These include the addition of terms such as "of course", "essentially", "in a sense" and "in fact". These are flowery terms that detract from the clarity of the article, so please avoid them.

    3. Short-cuts not to be used
    Don't use "etc" "eg" "ie". Just use a full stop and start the next sentence with "For example".

    4. Quotes
    Keep quotes to a maximum of three or four lines. When returning to a quoted speaker, identify who the speaker is again. Do not assume the reader remembers who you are quoting.

    5. Abbreviations and acronyms: the difference
    -- Do not use little-known abbreviations or acronyms without spelling them out first
    -- If an abbreviation can be pronounced as a word (eg Vat), it is an acronym and takes small letters after a capital letter. If it can’t be pronounced as a word (eg PRSI), it is an abbreviation and takes all capitals.

    6. The scourge of American spellings
    An organisation cannot be an organization. So please do not submit words using US spellings, particularly those that substitute ‘z’ for ‘s’. Please adjust spell-checking software to reflect this.

    Common mistakes and rules

    1. All job descriptions are lower case (managing director, chief executive, etc), except for Taoiseach, Tanaiste
    2. It should always be 'the government', not 'government' (except in headlines)
    3. The sentences, phrases and clauses coming after colons should begin with a lower case letter.
    4. Companies are always singular. Even if the company is called Taylor Brothers or Curran & Sons, it is still treated as a singular noun. (There are exceptions, but this is the general rule.)
    5. The state and the government are both lower case.
    6. Do not use exclamation marks or "…"
    7. When quoting someone, always use the past tense. Always use "said". Never use "commented", "added", "exclaimed", "pointed out" or anything else. Always use "said".

    December 04, 2009 in Media advice | Permalink | Comments (17) | TrackBack (0)

    12 writing rules to improve your company's chance of publicity

    When it comes to writing an article or a press release for a newspaper, the overall theme or format is important (as I have posted here, here and here).

    But there is another consideration: style. Style includes language, diction and vocabulary. Although this may not seem crucial (and, in truth, it is less important than the actual facts being presented), it can lessen an article's chance of making it to publication.

    Here are a few basic language/vocabulary/style rules to follow when writing an article or press release.

    1. Try to avoid humour
    Please, do yourself and your company a favour: avoid jokes. When people write an article for submission, they are tempted to try and inject 'colour' into it. But jokes, humourous asides and amusing anecdotes fail 90 per cent of the time. Because here's the sad truth: you're probably not funny. Even if you are the sharpest wit in the office, you're probably not a funny writer. In fairness, very few people are (and that includes mainstream journalists and columnists who imagine that they have the amusing touch). Not only is the 'colour' cut out, it creates resentment for having created work for the editor. Especially when that editor is living off coffee, 20 minutes past his deadline.

    2. Don't use capitals
    Since When Did Every Single Bloody Word Become Eligible For Caps? Try to avoid the following: "the Managing Director of X Company is responsible for Customer Service and the Implementation of a Customer Charter for all of X's Valued Clients". Sorry, but capitals are reserved for proper names, place names and acronyms. That means that everything else, including job titles or technical processes, do not take capitals.

    3. Don't use exclamation marks
    Such as: "Murphy said that the only thing missing from his clients' customer experience was a candelabra!" Is that funny? No. Did that exclamation mark add any positive effect to the point? No. Please don't use them.

    4. Don't use assuming terms
    Don't start sentences with 'Interestingly' or 'Tellingly' or 'Significantly'. The reader will decide whether it's significant or interesting or telling, thank you very much. And they'll do it based on the evidence of your point, not your guide.

    5. Try not to use 'UK'
    Yes, the UK is a political and geographical fact. But it is almost never advisable for use in an Irish newspaper. And it does not make you sound more professional. Once you mention the UK, you get yourself into a bind; if your service is also available in Dublin and Cork, what territory do you refer to them as? Eire? (Big no-no.) The South? (Also a no-no.) The Republic? (Still a no-no.) And then how do you define the territory that comprises Derry? The UK again? Avoid this conundrum: just use 'Ireland and Britain'. Like it or not, the UK puts you into a political sphere that can only detract from your appeal.

    6. Don't write long sentences
    Are any of your sentences over 20 words long? Then they're too long. Sorry, but unless you're a masterful wordsmith, your epic sentences are likely to be far too meandering to be easily followed. And that means your point gets lost. If in doubt, simply break the sentence up into two (or three) smaller sentences. And don't be worried if this makes them sound 'simple'. We like simple. We love simple. Please: give us more simple.

    7. Don't give us American spellings
    It's realise, not realize. And it's organisation, not organization. If (and it's a lot less likely if there's a lot of work to do on it) your article is considered for publication, all of those mistakes have to be corrected first. Yes, we know that Microsoft's spellchecker changes them automatically. But that's your problem. Send us correct spellings please.

    8. Don't litter your copy with dashes and semi-colons
    A couple of dashes and semi-colons is fine. More than a couple of them is not fine at all. It makes the sentences look sloppy. Just cut out the dashes. Shorten the sentences or re-arrange them.

    9. Don't use word processing effects
    Articles written in fancy fonts or spaced way apart do not impress editors. At all. Most would choose a simple black-on-white e-mail using courier or Times font, rather than the papyrus effects that some firms think looks impressive. Don't 'centre' your copy or keep bolding and italicising it. Just give us ordinary, normally spaced paragraphs in a simple font.

    10. Don't include ©, ™ or ®
    Have you ever seen a newspaper or magazine article include one of these symbols? No. So don't include them, regardless of what 'legal' says.

    11. Don't expect your brand's 'clever' lettering to be represented
    Because we will ignore it. When Telecom Eireann became Eircom, the company used the lower case 'e' (as in eircom). And they would send out releases staring sentences with a lower-case eircom. As in: "eircom today announces a fantastic new broadband package." And every paper changed it to 'Eircom'. And, initially, Eircom's PR department were irked. Ebay (or eBay, as they call it) is another case in point. Well, tough luck guys. The laws of English don't change because of your branding preferences. That especially goes for Yahoo (or Yahoo! as they would have me write it). Sorry, I'm not putting an exclamation mark in the middle of a sentence. Ever.

    12. Don't expect your long-winded corporate title to be quoted
    I have often changed a title such as 'commercial manager with responsibility for corporate accountsin Ireland' to 'sales manager'. Don't like the sound of that? Sorry. We have space constraints. And your title is too long.

    May 29, 2009 in Media advice | Permalink | Comments (7) | TrackBack (0)

    Five ways to make your product more understandable to the media (and prospective customers)

    Today, I spoke with a decent young bloke whose Dublin-based company is starting to offer a product for sale. To illustrate what he was talking about, he pointed me to the company's website and sent me some information about what the product does.

    And I could barely understand a word.

    All of the literature was crammed with generic IT phrases and descriptions that could apply to dozens of different products or services.

    I rang him back to tell him this and he got a bit upset. He has put a lot of work into this launch and the last thing he wanted to hear was that the copy is crap and too generic.

    I ended up emailing him a few paragraphs and bullet points on what might be a clearer explanation of his firm's product.

    He seemed delighted with this. But all I did was to describe the product's application in the same way that he himself might describe it to his brother or sister (as opposed to an industry contact like me).

    Why couldn't he have done this himself? Because business people and IT developers are not especially lucid or clear. They make assumptions about the adoption and use of industry terminology.

    Because of this, they often undersell themselves and their services. Their websites, emails and sales pitches are full of nondescript, unfocused, jargon-centric language.

    Editors like me get discouraged from trying to figure out what exactly the company does. Half the time, we abandon the search, switching to another, clearer, example.

    Don't let your company fall into this trap. Go to your firm's website right now. Get a friend who is outside your industry to read it. Ask them whether they understand what you sell (and ask them to be honest).

    If you think your literature needs to be revamped, here are five tips to improve the impact your literature will have on journalists and on potential customers. (If you want more tips on what works for us in the media, I have other posts here, here, here and here.)

    1. Use widely understood English
    Even the best tech websites in the world use simple English. Because they sell to companies who prefer reading simple English. And they still convey an accurate picture of what it is they do. They don't revert to sentences with 35 words in them. They don't revert to industry jargon. Take a leaf out of their book: don't use sentences such as: "enabling fulfilment processes to be reintegrated into your service-centric departments". It just sounds bland and is applicable to a dozen different technologies.

    2. Refer to examples as much as you can
    And if you don't have an actual customer case study, write about a model customer. Write in plain English about what the customer does. Explain in plain English at what stage your product enters the scene and what process it replaces. You can rarely have too many examples of your product in action: more than anything, that's what a reader (and, presumably, a prospective customer) want to see to get a handle on what exactly you can offer.

    3. Keep things concise on page 1, but give lots of detail on page 2, 3, 4 and 10

    We only need the concise overview on the front page (or at the top of the email). But by all means get into specifics -- at length -- deeper into the literature. If my interest is aroused, I will want to discover a lot more about the product or service. And the more specific detail you can offer, the better.

    4. Avoid generic pictures on your website
    Especially one of some smiling Austrian girl with a headset on. This could have been lifted and shows no effort whatsoever on your part. Even a photo of your office, or your directors, is better than a generic pic.

    5. Give us as much information on your background as possible
    We want to know as much as possible about the people behind the product. We want to know where they come from, what their business record is, what their qualifications are. This shows a lot of confidence and trustworthiness. And anyway, we'll probably Google you if we're interested.

    May 13, 2009 in Media advice | Permalink | Comments (4) | TrackBack (0)

    How to write (and how not to write) a bylined article for the print media

    A while back, I wrote a couple of posts about getting more coverage in the Irish media. These were:

    (1) how to use photos to get newspaper coverage
    (2) how to approach an interview with a journalist and
    (3) how to write a decent press release.

    Today, I'd like to address another way of getting good coverage: how to submit a bylined article for publication to a newspaper, magazine or website.

    On the face of it, this is a very good, and very effective, marketing strategy. A well written piece will always find a home as there there are dozens of media titles out there looking for 'expert' articles.

    But there is one type of bylined article that will not be considered: it is the unresearched 'advice' column.

    Alas, this unwanted article format has been adopted by many companies (and PR firms) in recent years. It is almost always bland, jargon-heavy and pointless. Here's an (invented) example of what I'm talking about. Note the way you learn nothing from it.

    FIVE TIPS TO GET YOUR BUSINESS GOING

    by Brian Bland, senior vice president (EMEA) for Obvious Telecoms Group

    1. Assess what your needs are
    In the current economic climate, it is important to assess what your organisation's needs are. Once these are established, you can move forward with your organisations' aims, goals, objectives, targets and aspirations.

    2. Drive value
    Driving value is a key component that will benefit your organisation in the current economic climate. Value can be derived from maximising efficiencies and prioritising mission-critical functions in a synergistic manner.

    3. Achieve buy-in from senior professionals
    In the current economic climate, achieving buy-in from your organisation's senior professionals is vital to implementing an achievable organisational strategy for your organisation.

    4. Set out a plan of action
    For any corporate objective to be achieved, a plan of action is required. Set out this plan with your organisation's senior professionals. Be realistic: are your goals achievable?

    5. Cut through the jargon
    Don't get caught up in industry waffle and double-speak. Instead, realise your organisation's synergies through the holistic application of business-critical and industry-centric initiatives that will realise an end-to-end impact for your organisation's overall objectives.

    etc etc

    Isn't this awful? From an editor's point of view, this 'article' will hit the bin, fast. Instead of this type of guff, why not set out to create an interesting, non-jargonistic, readable piece?

    Here are five things that will definitely help you get an editor's attention.

    1. Tell us something we probably don't already know
    You're an expert in some field. So tell us something that only an expert would know. What would you tell an intelligent conversationalist in the pub about the more interesting apects of your job? The chances are that this might also be interested to a general readership.

    2. Don't give us generalisms
    Please don't 'advise' us of things we could guess at or might already know. Like: "achieve buy-in from senior executives". Duh! Or "assess what your oganisation's goals are". Duh duh! We're not morons. And we don't need an article to tell us these things.

    3. Give us examples
    Why not illustrate your point with an example? And not some featureless example that sounds like you made it up. A real example. Like: "Last year, I had a Dublin-based construction client with 15 employees. His problem was that his staff were spending €240 each on mobile bills a month. This is actually a pretty common problem. At least a quarter of our customers spend this amount on mobile bills." Now, the reader is starting to get insterested.

    4. Don't relentlessly plug products and services
    Remember the example in point 3? Imagine if the writer then went on to say: "what we in Obvious Telecom Group did was to implement our award-winning Obviotron(tm) suite of products to reduce the client's bill." Ugh... Now the reader has departed. Rightly, they have concluded that this is just a bit of marketing bumph.

    5. Give us facts and figues
    There is one cardinal rule of attraction for reader interest: facts and figures. If you can sprinkle relevant, up-to-date figures throughout your article, it will be considered by any editor, anywhere. And that's a guarantee: no matter how badly it is written, it will be considered. Opinions and 'advice' are cheap. Figures and facts are always in demand. Obviously, they must be new. And they should not be general knowledge.

    May 05, 2009 in Media advice | Permalink | Comments (1) | TrackBack (0)

    How to avoid superfluousness in press releases

    I've blogged before about how to get more coverage in a newspaper through proper photos, how to write usable press releases and how to approach interviews.

    Adding to the press release issue, I'd like to point out a minor crime that many companies commit: hyperbole and superfluous cliche.

    To explain what I'm talking about, here's a press release that came in this morning. It's about a British company that has appointed a new Irish CEO. But it uses tired hyperbolic cliche that means nothing. (I've added parentheses to make the point.)

    New CEO commented: "It's an exciting [as opposed to a boring] time to be joining [this company] in the UK and to be given the opportunity to lead our next stage of development. While the overall current business environment is tough [because it was so easy before], our exceptional [and not dull, ordinary] and innovative services are focused on supporting UK businesses [as opposed to denigrating them] through this challenging and uncertain [as opposed to unchallenging and blithely predictable] period. Our market leading practical [and not impractical] and customisable solutions are already supporting thousands of UK businesses to make better and more informed decisions [and definitely not worse ones]. I am proud [as opposed to ashamed or mortified] of the strong partnerships we have with our clients and this is something I want to build on [rather than destroy]. "

    New CEO's board boss commented: "I'm delighted [as opposed to appalled] to have someone of CEO's caliber on board. He is an accomplished business leader, is entrepreneurial in attitude and will bring great strength and experience to compliment the existing management team [because they didn't have great strength and experience before]."

    To whoever wrote this release, I would urge you to monitor the press coverage (if any) that this gets to see how many of these cliches and hyperbole get into the article text. I'll wager it's zero.

    February 25, 2009 in Media advice | Permalink | Comments (2) | TrackBack (0)

    How to approach a newspaper interview

    Okay, a few final thoughts before I return to the tech stuff. This is for small firms and start-ups who have landed an interview with a newspaper.

    How should you approach it? What should you say? What shouldn't you say? Here are some pointers that should make your interview go smoother and (should) result in a better article. (Note these are mostly aimed at small Irish companies: for larger firms and corporates, slightly different rules apply.)

    Maximise figures, minimise opinions. Journalists love numbers. Let me repeat that -- we LOVE numbers. Throw in a few numbers to back up what you're saying and there's an 80 per cent chance that that quote will make it into the piece. Why? Because it gives the article substance. Opinions are cheap, everyone has them. And usually, yours are the same as every other Tom, Dick or Harry's. Most opinions are far less interesting than facts and figures.

    Don't be afraid to talk about competitors. Some companies think that they should observe one of two rules: (a) never mention a competitor as it will give them publicity or (b) only talk about competitors disparagingly. Both precepts are flawed. Being able to reference competitors shows confidence, realism and a grasp of the industry. You don't have to put the boot into them, either, as newspapers are unlikely to publish gratuitous attacks on a competitor just because you uttered the words.

    Don't keep deferring answers to someone else who's absent. A constant irritation is the middle-ranking executive interviewee who shrinks in terror from answering a question because they worry they might get into trouble with their boss. First of all, your boss won't kill you unless they're a maniac. Second, have a bit of faith in yourself. A shrinking violet approach is very unimpressive.

    Don't go into an interview thinking you can stick religiously to some pre-cooked three point memo and ignore all other questions. American corporates operating in Ireland sometimes do this and it rankles. I'll name and shame one offender here: Ebay. In any dealings I have ever had with Ebay executives themselves (as opposed to their long-suffering PR people), they simply want to stick to a dull, three-point memo. And they repeat old figures and statistics. It's very frustrating.

    Talk like a normal person. Please, please do not descend into jargon and industry cliché. It's like talking to an automated answering service. I'm from Dublin, so I talk like a normal Dubliner. It's far more impressive if someone talks in their ordinary voice and not like a Californian or a jargonista.

    Don't be afraid of a Dictaphone. It's amazing how many interviewees seem relaxed and jovial when chatting, but stiffen up noticeably -- sometimes even with voice cracking -- if a Dictaphone is produced. This is purely a journalistic aide to get the quotes right: it's not going to be submitted to the Grand Jury. Just ignore it and talk normally.

    Don't shy away from your company's core figures. Answering a question as to your firm's revenue and profitability makes you look confident and open. It impresses journalists and creates goodwill. The question won't always be asked, but if it is, just answer. If you dodge the question, it looks like you're hiding something important. And you're setting up an adversarial situation between you and the journalist. You're throwing down a challenge. You're saying: you play your game, I'll play mine. But guess what? In most cases, your revenue figures are available anyway from the Companies Office! I recall quoting a company's revenue figures back to them from a Companies Office search and they were outraged. "Where did you obtain that information?" they demanded.

    Don't talk for 20 minutes and then say that "all of that is off the record, by the way". This is infuriating. It wastes time and energy and creates a huge element of badwill. Technically, it is not even binding: if you talk to a journalist about an issue in a business (ie not social) context (for example, if a journalist rings you up and asks you to comment on a certain issue), there is a clear understanding that this is on the record. Changing your mind about it later is very frustrating. Whether or not the journalist will comply with your request is entirely up to them and, in reality, will depend on the strength of your existing relationship.

    Don't waste time talking about 'value'. Don't think that any journalist anywhere will ever include statements like: "This is only one of the ways that [yourfirm] is offering superb value to its customers."

    Don't quote Gartner or IDC. Okay, this is a personal one, but I believe lots of other journalists feel this way, too. "Gartner says that the market for this vertical application will, in 2012, be blah blah blah." This is pie-in-the-sky stuff. Admittedly, a desperate journalist may revert to this. But no editor mistakes this kind of 'fact' for a genuinely interesting point.

    Don't try to show a laptop presentation in the interview. No, no, no! If you have figures or graphs, print them out beforehand and hand them over for perusal at the journalist's own leisure. There's nothing more boring than a powerpoint presentation as part of an interview: just talk about the relevant figures, if you have any.

    Don't try and push the journalist to come out to your facility in Sandyford/Bray/Swords so he/she can see the 'set-up'. Or, if you do, you better have one impressive set-up. Because we've seen a call-centre and an operations centre before. And going all the way out there is very unappealing.

    Try not to request that the interview take place on a conference call with three other people. This is also a little frustrating. And it sets up an 'us versus them' context. How can you build a relationship with someone when a gang of others are listening in? It's like an Amish date. Oh, we'll agree to it, alright. But it's very impersonal. And it's of little importance that your company's 'policy' is that person X be involved in all 'marketing activities'.

    Relax and be confident. Honestly, journalists are generally not out to trick you or trip you up. In fact, most journalists are looking for something positive to impress their editors -- a good story about a company doing well. Yes, a company making horrific losses or getting into trouble is also of interest, But, presuming this doesn't apply to you, there's no reason why a journalist would, by default, seek to write a piece that makes you look bad. This is especially so in Ireland, where the chances are that both parties will run into each other again repeatedly.

    Be wary of asking for journalists' questions to be e-mailed days before interview. Some people ask: "can you send through the questions you're going to ask?" Well, yes, that is possible. But know that:
    (a) this makes you look pompous or
    (b) not on top of your brief, if you have to prepare or research answers about your own company or your own industry and
    (c) it gives a journalist less cause to give you the benefit of the doubt in situations where remarks can be interpreted in a positive or negative light. After all, if you had lots of time to prepare answers, it must be pre-meditated, right?

    Don't ask to see an article before publication. "Can you send through the article before publication for review?" No, and this is a golden rule. Don't ask, as a refusal can offend. This isn't because you're a target, it's because a) it becomes a practical and logistical problem with deadlines approaching and b) it's not really on to be 'correcting' your quotes and seeking control of the editorial process.
    If this sounds like too much trust in the whole thing, don't go into the interview.
    Now, there is a caveat to this. Occasionally, some journalists will agree to providing some level of pre-publication review. This, usually, is when they are trying to establish a relationship with a potentially very important or lucrative source eg a key government minister or some very elusive business plutocrat. Ethically, it is very poor. But the reality is that if it ensures a steady pipeline of communication with a very eminent source, the result will sometimes outweigh the ethical consideration. However, I don't do this, so don't ask! (Shows my limited ambition!)

    Trust the journalist a little. You may be worried or anxious about how something "will sound" in an interview. But you have to have a little trust that the journalist has a degree of professionalism and can sort out what's important and what's not, in a balanced and contextualised way. If you make a gaffe, you can politely ask that it not be printed. The journalist isn't obliged to abide, but 80 per cent of the time they will anyway, to generate a bit of goodwill.

    If it doesn't turn out perfect, it's not the end of the world. It is true that some journalists, sometimes, write an interview with a pre-meditated agenda. And it is true that journalists sometimes get the wrong end of the stick. But you know what? That's life. You can't really control that. All you can do is try and make it as positive as you can from your end. And know that the journalist with a negative agenda is rarely the case for interviews involving small to medium sized businesses. In fact, I'd go so far as to say that if there is ever an agenda in SME interviews it is overwhelmingly a positive one, to highlight a company's activities. Look in any newspaper and see for yourself the way that SME interviews are used.

    If you feel wronged, don't be afraid to ring the journalist up and say so, stating why. Believe it or not, journalists take professional pride in being accurate and balanced. If you make a complaint that a piece was unfair, unbalanced or (worst) inaccurate, it is taken quite seriously. And editors take such complaints very seriously, treating them as black marks if they're substantiated. A rider to this: if you're simply unhappy with what you actually said, it mightn't wash. Ask yourself, honestly, whether your complaint is a fair one.

    On a positive note…
    I'll give you an example of a few people who almost always give/gave a good interview, producing good copy, and why. (None of these are mates, by the way.)

    Joe Macri, Microsoft (former head of Microsoft Ireland)
    Reason: Although he had a premeditated agenda, he addressed points of interest in a very plain-English, expansive way. He never shirked questions, either.

    Brendan Butler, Ibec director of strategy for EU trade (but formerly head of ICT Ireland)

    Reason: He was never afraid to make strong points about issues he cared about. He was confident enough in his own positions that he could do this. He would also substantively answer incidental questions on related topics in a way that few others did.

    Stephen Mackarel, The Carphone Warehouse (current country manager, Ireland)

    Reason: Again, very confident. He's not afraid to talk expansively, on and off the record about what's going on in the industry and the relationships between manufacturers, retailers and mobile operators.

    January 21, 2009 in Media advice | Permalink | Comments (8) | TrackBack (0)

    How to write a competent press release

    On the same theme as photos, a proper press release can really boost your company's profile.

    But most press releases are poorly crafted. Instead of making a competent point, they get lost in rambling jargon, complicated formatting or are badly delivered. Journalists are humans, too -- they get tired and won't spend too much time forensically examining a press release for the possibility of some useful information. So kind of a press releases works?

    Here are 9 do's and don't's for any company sending out a press release.

    Keep the release short. Adapt a Twitter-style wordcount discipline. Or, if you must go into detail, write two releases: a short one and a long one. Keep the short one under 250 words and feature it first. Then, just below the short one, expand on your product or service, and put in quotes from executives, if you like.

    Use bullet-points. If you really find it hard to write a short release, use bullet points instead: a maximum of five, one-sentence bullets. Then go into your long-winded spiel.

    Stay away from jargon. Please. I know that there is a train of thought that argues that jargon equates to professionalism. It really does not. It obfuscates the impact of the release and lessens its likelihood for consideration.

    Have it proof-read by two people, at least one of whom is over 40. Sorry, young ‘uns, but too many of you cannot spell. Or, at least, you cannot tell the difference between your and you’re. Or between its and it’s. Or between products and product’s. But we, as journalistic recipients, can: and it doesn’t look great. Note that mis-spellings are not the end of the world: society has moved into a general disregard for grammar and punctuation.

    If the press release is about a product, include an image. Make sure that it is (a) low-res and (b) a jpeg. (If there is interest, you’ll be asked for a high-res version of the image.) Don’t be worried about sending such an attachment: the days of journalists having mailbox limits for images are generally gone. Anything up to 2MB is usually alright. Do not, please, attach PDFs -- they are a pain in the neck. And never use a PDF as an image format.

    Do not attach the press release as a Microsoft Word attachment. Some companies do this because they think it looks better with all the italics and accents and other inconsequential crap. Ignore this approach -- word attachments are as likely to remain unopened. Just write the press release in the e-mail, for God’s sake.

    Include the basic information that a journalist would need to further the story or to write something short without further contact. This means, especially, the price. It is astounding how many PR people send out releases on new products and services -- often mass-market ones -- without mentioning the price. It is the absolute first question that will be asked. And journalists resent having to waste time calling or e-mail back to get a detail that should have been there in the first place.

    Don’t style your press release as a teaser. You may think: ‘I’ll put just some of the information in -- that way, they’ll ring and I’ll get them into a conversation so they’ll be more likely to write a bigger piece’. Wrong -- they just won’t ring. (Unless it’s a reeeallly slow day.)

    Don’t try and be clever with e-mail. One company I know puts a future time-stamp on their e-mail press release so that it sits at the top of the e-mail basked for 24 hours. Such gimmicks are very irritating and convey an image of desperation.

    January 20, 2009 in Media advice | Permalink | Comments (25) | TrackBack (0)

    How to get (more) space in a newspaper

    I was impressed with Damien giving away some of his marketing stuff online the other day. In a similar spirit, I thought the following advice might be of some use to Irish companies, especially start-ups.

    If there is one element that increases your company’s chance of getting space in a newspaper, it is the supply of a good picture. I don’t mean an amazing picture or a novelty picture (like Richard Branson, Michael O’Leary or Brody Sweeney), but just a competent image. It is amazing:

    a) how few competent (supplied) images newspapers have to deal with

    b) how few of the images sent in by PR companies -- that are ultimately billed to their client -- are of decent publishable quality

    Many PR companies seem to send in the same, tired corporate shots: the headshot, the arms-crossed pose, the looking-up-from-the-bottom-of-the-stairs pose. In a situation where there is a choice of photography available to the editor, these will always be pushed down to the bottom of the pile. And that is a shame for you, the company: it was a good chance of getting some decent, prominent, publicity.

    So what kind of shots will push you up the list?

    As editor of an IT magazine and a consumer tech section in the SBP, here are the photos that automatically hit the bin (unless I’m desperate):

    -- Shots where you’re receiving an award from some dipshit Minister of State

    -- Shots in black-tie (unless you own a casino)

    -- Shots where you’re looking up into the camera with your arms folded

    -- Shots where you’re looking sideways toward the camera with your arms folded

    -- Any shot with your arms folded

    -- A studio headshot

    -- An amateur headshot

    -- Any headshot

    -- Any picture at all taken with your compact digital camera or digital SLR you got for Christmas. (It doesn’t matter how many megapixels it has -- you take crap pictures, that’s the point. And they’re usually indoors, with a big shadow behind you.)

    -- Shots with your entire management team in them

    -- Shots with you, your customer and your head of operations in them

    -- Any shot with more than two people in it (it’s almost always better to have just one person per shot)

    -- Shots that are really low-resolution (under 150k of a jpeg, in our case)

    -- Images that have been cut and scanned from some publication -- the quality is usually brutal

    -- Shots where the logo or branding overshadows the person in the shot: it doesn’t matter if the logo is simply visible somewhere

    -- Shots where you’re a speck in the landscape, such as shots attempting to show off how big your facility is

    And the shots that are considered ‘competent’? They are:

    --Full or half body shots that avoid the faux-pas listed above

    -- Shots on location (provided you are a good visible size in them and not a million miles away in at the bottom of some quarry)

    -- Shots in context: if the interview or article is about what your company does, have a selection of shots with your equipment.

    -- Multiple shots. Always, always, commission (and provide) a selection of shots. Sending one in because YOU have decided it is ‘the nicest’ lessens your chances

    -- Shots which show the subject to be fairly relaxed: photo editors see thousands of shots weekly and look carefully at the humans in them. This is generalising -- and there are exceptions -- but a relaxed-looking pose generally beats a stiff one

    --- Shots with proper lighting. If it’s an indoor shot, it’s vital that the lighting is correct. It’s the biggest issue with ‘home-made’ PR shots

    To sum up, in a recession, when cutbacks will result in papers trying to restrict the amount of photography they commission, there is a real opportunity for companies to get easy coverage by simply producing a competent photograph. So why not take advantage of it? I guarantee you’ll steal a march on your competitors.

    (Note that I deal mostly in photos for feature articles: there can be slightly different rules for news articles. For example, headshots can be sometimes acceptable for news pieces.)

    January 20, 2009 in Media advice | Permalink | Comments (25) | TrackBack (0)